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Hovering above and connected to the poorly drawn aesthetic is a personal examination of how we/I continually change and un-swap our dominate perception techniques. Moving from religion to actual estate, from chemistry to capitalism, triggering corrected poetry, jittering creatures. Currently he professes Net Art and Electronic Literature at Australia’s Queensland College of Art inside Griffith University in Brisbane. The Poetry Robot doesn’t perceive or, dare I say, even care about gallery visitors watching/reading the textual wonders it shines up from LCDs. The artwork itself was a mix of poetic content material impressed by the historical past of the Silicone Valley and a rethinking of the roles of quite a few “turning level” applied sciences such as the mouse and the first transportable PCs. The artwork was praised by both the inventor of the mouse and Moore of Moore’s law who have been at the opening.
Interactive poetry cubes allowing multi-linear/dimensional play and reconfiguration. One potential reading is as three-dimensional concrete poetry sculpture generator. Furthermore, every of the rows and columns may be moved to further recreate the position and graphical nature of the poem. Each of the edges of the poem are colour coded to offer the reader a reference level for the preliminary configuration of the interface, so adjustments become more obvious. Hidden secrets and interactive layers are packaged by our obsessions with objects and their horrible darkish betweens. Between Treacherous Objects explores the area between varied contemporary … Read More